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Out of Italy

by Karl Wohlwend

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  • Compact Disc (CD) + Digital Album

    19th Century music by Francesco Molino, Luigi Legnani, Giulio Regondi, and Marco Aurelio Zani de Ferranti. Enjoy with a nice plate of fettuccine, some chianti, and a tiramisu!

    Includes unlimited streaming of Out of Italy via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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1.
Prelude in C major - Francesco Molino 00:34
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2.
Caprice, Op 20 no 1, Andante - Luigi Legnani 00:59
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3.
Etude 1 - Giulio Regondi 03:21
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4.
Prelude in E minor - Francesco Molino 00:42
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5.
Caprice, Op 20 no 2, Allegro - Luigi Legnani 00:59
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6.
Etude 4 - Giulio Regondi 06:50
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7.
Prelude in A minor - Francesco Molino 00:48
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8.
Caprice, Op 20 no 4, Allegretto - Luigi Legnani 01:31
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9.
Etude 5 - Giulio Regondi 02:27
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10.
Prelude in A major - Francesco Molino 01:02
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11.
Caprice, Op 20 no 7 - Prestissimo - Luigi Legnani 02:17
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12.
Etude 9 - Giulio Regondi 02:31
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13.
Prelude in G major - Francesco Molino 00:30
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14.
Caprice, Op 20 no 3, Moderato - Luigi Legnani 01:30
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15.
Etude 8 - Giulio Regondi 04:56
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16.
Caprice, Op 11 no 1, Presto - M.A. Zani de Ferranti 00:17
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17.
Caprice, Op 11 no 2, Allegro - M.A. Zani de Ferranti 02:36
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18.
Caprice, Op 11 no 3, Andante - M.A. Zani de Ferranti 01:17
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19.
Caprice, Op 11 no 4, Allegro spiritoso - M.A. Zani de Ferranti 01:39
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20.
Caprice, Op 11 no 5, Allegro con fuoco - M.A. Zani de Ferranti 03:48
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21.
Caprice, Op 11 no 6, Allegro moderato - Allegretto con moto - M.A. Zani de Ferranti 01:11
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22.
Caprice, Op 11 no 7, Presto - M.A. Zani de Ferranti 01:33
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23.
Caprice, Op 11 no 8, Allegretto grazioso - M.A. Zani de Ferranti 02:29
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Guitar music from the 19th Century by Molino, Legnani, Regondi, and Ferranti

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released December 2, 2021

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Karl Wohlwend Columbus, Ohio

Karl Wohlwend performs across North America, Europe, and Asia, playing guitar in various styles and settings. The Outer Banks (NC) Forum for the Lively Arts hailed his “extraordinary talent,” and the Washington, DC Guitar Society praised his “command of technique, beautiful tone, and sensitive musicianship.” ... more

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